Camilla Sterne

Three volumes of I—X, a generously sized monograph with a white cover and a bright red X on the cover.
Out of the forest
architecture, design Posted by Camilla Sterne

Bolon and the Stockholm-based design studio Form Us With Love have grown up together. Now, as the two prepare to embark upon a new collaboration, studio founders Jonas Pettersson and John Löfgren find themselves in the mood to reflect.

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A black and white illustration of craters on the moon's surface.
What the moon believes
poetry Posted by Camilla Sterne

The moon believes the sun reciprocates her love believes she is more than just a vehicle for his reflection to cast his light toward another body. … The moon believes her craters inhabitable wills water to trickle in her crevices she stacks delicate mooncakes on trays and waits for visitors who rarely come. She wants…

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An illustration of a little girl holding an American flag with the stars falling off.
Goodnight, alright?
poetry Posted by Camilla Sterne

I remember scolding you, a professor of literature, when you said, “Books don’t change the world.” “Books are platforms for ideas, ideas change the world.” I was baffled I had to explain this to you, of all people. Now I’m wishing I could write the book, the one I was sure would change the world.…

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A display of the six booklets that make up Rubbish Famzine.
The Power of Packaging
design, social equity, words. Posted by Camilla Sterne

When did you last earmark a page or plunge nose-deep into a magazine to inhale the heady scent of freshly printed ink? In the age of Snapchat and clickbait, these moments are few and far between. But independent magazines have created a trend for a new kind of optimized content: print products where the medium is just as important as the message.

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Raf Simons hold his hands to his face while considering a dress design.
Don’t Miss: ‘Dior and I’
arts & culture, words. Posted by Camilla Sterne

Under the empathetic lens of Dior and I director Frédéric Tcheng, the elite and occasionally ostentatious world of high fashion comes secondary to the documentary’s universally compelling tale: that of a leader with a creative vision, a legacy to uphold, and a loyal and skillful team backing him.

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A photo series of billowing clouds on a white wall.
Hospital Rooms
arts & culture, design Posted by Camilla Sterne

When London-based curator Niamh White and artist Tim A Shaw visited a close friend in an English psychiatric ward, they were immediately struck by the unit’s sterility. As visually oriented people, they felt the austere interiors might not be conducive to a quick recovery, particularly for patients with creative or artistic inclinations.

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